Bad Bunny’s MáS BENITO Schiaparelli Fittings Deliver a Butter Cream Double Breasted Suit Keyhole and Eye Bijoux
Bad Bunny turns couture fittings into a character moment at Schiaparelli, stepping into Fall/Winter 2026-2027 Haute Couture with a custom look that fuses the house’s surrealist codes with his own cowboy-inflected stage persona.
Custom Schiaparelli for Paris Couture Week
Ahead of the Schiaparelli Fall/Winter 2026-2027 show at Paris Haute Couture Week, Bad Bunny (Benito Antonio Martínez Ocasio) attended fittings for a fully custom look crafted by the house’s couture team. He later arrived at the show in the ensemble, making it one of the key menswear statements of the week and a visual bridge between Daniel Roseberry’s experimental runway and celebrity dressing.
The fittings were captured in the “MáS BENITO” content series, shot by Christophe Tiphaine, which shows the artist moving through the Schiaparelli salon as tailors refine the proportions and finishings of each element.
Butter cream suit with surrealist detailing
For the show, Bad Bunny chose a butter cream…
double-breasted peak lapel wool and silk suit with matching wide-legged trousers, cut with a soft structure that gives volume without bulk. Underneath, he wears a white silk shirt and a black and gold threaded “braid” tie, which adds a graphic, textural focal point at the center of the look.
The suit is embellished with bespoke bijoux buttons and lapel pins featuring Schiaparelli’s signature Keyhole and Eye motifs, continuing the house’s surrealist tradition of turning hardware and jewelry into symbolic talismans.
According to coverage, some of the bijoux details are customized to reference Bad Bunny album art, inserting personal iconography into the couture language.
Anatomy buckle and custom cowboy boots To push the outfit firmly into Bad Bunny’s world, the look is styled with a glossy black mock croc leather cowboy belt featuring the house’s signature Anatomy buckle, and black leather custom cowboy boots that reinterpret classic Western footwear through Schiaparelli’s sculptural lens…
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