Perrotin Returns to Art Basel With Five Solo Focuses And a New Collaboration With Jeppe Hein

Perrotin festured Jeppe Hein's immersive installations to the Superflat movement, demonstrating the gallery's commitment to experiential and public-facing practices.

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Perrotin Returns to Art Basel With Five Solo Focuses And a New Collaboration With Jeppe Hein

fine art documentation for Perrotin photographed and edited by Claire Dorn

Perrotin returns to Art Basel 2026 with a tightly curated yet expansive presentation at Booth L24, using five major solo focuses to show just how global and multi generational its program has become. At the heart of the stand is the announcement that the gallery now represents Berlin based artist Jeppe Hein, celebrated with a dedicated space of his interactive, poetic sculptures.

New representation: Jeppe Hein

This edition of Art Basel is “anchored” by Jeppe Hein’s solo presentation, marking his official addition to the Perrotin roster. Known for mirrored benches, playful installations and works that fold viewer participation into minimalist forms, Hein’s presence signals the gallery’s continued investment in experiential, public facing practices.

Perrotin’s booth features works such as “Flamingo with Pink Balloon” (2026), a high-polished stainless steel sculpture that balances whimsy and formal precision emblematic of Hein’s ability to use humour to disarm and engage.

Kabinett focus: Klara Kristalova…

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