GANNI Brings Childhood Proportions and Ana Kraš’s Domestic World to Paris Fashion Week

The collection moves between oversized and shrunken shapes, layered combinations and unexpected colour pairings. Rather than treating those proportions as separate seasonal trends, GANNI ties them to the experience of growing into, and out of clothes.

That gives the assortment a recognizable organizing idea across individual looks. A presentation built around the collection Kraš translated that idea into a domestic setting.

Photographs appeared on refrigerators and across a bed, while family albums and an oversized sofa upholstered in collection fabrics carried the same references into the room. The installation made the relationship between scale, memory and clothing visible beyond the garments themselves.

“There’s a freedom and joy to it that reminds me why I fell in love with dressing up,” Reffstrup said of the collection. GANNI’s official presentation page extends the theme through Kraš’s Copenhagen-shot editorial, featuring sisters Klara Kristin and Fransiska Paula Bramsen with their mother.